Singing Ash

This three part participatory performance and community workshop explores the deep relationship between sound, clay, and collective experience.

Using wild, foraged clay, we created a space filled with ceramic xylophones, pit fire them in situ and later perform them.

The drawings on the wall are the based sonic texture of the installation, they are inspired by the pacific hermit crab that creates a series of marks on the sand, these marks became the graphic score and the placement for the xylophones.

With the support of Unison Arts in New Paltz.