Sound Acts, Part 2: Copresen(t/c)ing Vibration

Listening geographies: Landscape, affect and geotechnologies

Narrativity in Sound: A Sound-Centered Approach to Indigenous Amazonian Ways of Managing Relations of Alterity

Sonic Substances and Silent Sounds: an Auditory Anthropology of Ritual Songs

Breathing Song and Smoke: Ritual Intentionality and the Sustenance of an Interaffective Realm

About magical singing, sonic perspectives, ambient multinatures, and the conscious experience

-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>

Wayback Sound Machine: Sound through time, space, and place, in Soundscape: The Journal of Acoustic Ecology

-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>

Negative Research: Sonic Methods in Geography and Their Limits

The Sounding Museum: Towards an Auditory Anthropology

Más allá del ‘punto de vista‘: sonorismo amerindio y entidades de sonido antropomorfas y no-antropomorfas

John Cage and nonrepresentational spaces of music

-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>

ÜRUTA (Sonarle a uno en los oídos, los ruidos característicos de un lugar)

Kené: arte, ciencia y tradición en diseño

Sudamérica y sus mundos audibles – Cosmologías y prácticas sonoras de los pueblos indígenas

-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>

RESONANCE AND THEORIZING IN ETHNOMUSICOLOGY. THINKING, SINGING, AND MURMURING IN PEMÓN SOUND ONTOLOGIES

-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>-------+++++++++>

Las categorías sonoras y musicales de los pueblos indígenas. Una forma de vida

COLECCIÓN DE SELLOS-PINTADERAS Y RODILLOS JAMA COAQUE DEL MUSEO