I started making pre-columbian instruments from a place of grief, making and hearing them taught me about grief, as the environmentalist of the soul. It healed something in me, and since then, making has turned into inquiry: When were these instruments played, what rituals enveloped them, how did their rites of passages, and funerary rites sound? In addition, I also explore pathways for indigenous and diasporic communities to reclaim these technologies, challenging colonial narratives through the essential act of listening.

Through crafting these instruments, I stitch together fragmented stories and revive one of the oldest and most obscure sonic heritage--Abya Yala's legacy. I seek guidance from celestial constallations as I shape flute beings, water whistle beigns, rattle beings, serpent beings--each endowed with unique patterns and frequencies. These inter-dimensional mechanisms are imbued with sonic codes, they are ancient future technologies, carrying memory about land and self. Two of the instruments below were gifts.

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